Film Sense !

Etching a memory unto you

Film is a surface poetry to someone who narrates life in the edges of camera, it becomes a metaphysical fiction for another one who loves the diagonal lives of actors and vectors of emotions. It is a sense and kinesthetic for a formalist who speaks a new language and develops a new genre of thought in the dimensionality of a celluloid chemistry. For a dialectic philosopher and critique, it is nothing but a process to integrate semiotic symbols to form a new dynamics of semantic species. Above all, it is deeply ideological an apparatus for all the preceptors and specters who are nothing but the users and consumers of this medium out of their innate bio psychophysical urge to dream their madness in the limited scopes of their true-lie dialectique.

Thus Film sense is a dialectical transformation from unbounded grammar of poetry to a bounded imagery of complex planes. There evolves a revolt of thought processes over cognitive permutations. Perception meets ideology over the realms of vision and consciousness. It breaks barriers between semantic poetry and cerebral communication. It demands the chords of active script and strikes of punching music. In total Cinema creates an experience of chaotic sensibilities over a circular memory of time.